We rode in silence along the city’s Northern ridge. Our hands lightly clasped, but our eyes stayed fixed on the city, our stillness a permission allowing each other the space to savor our last few moments in our own way. For two months, we had been drinking Cuenca in. Our glasses had been all but emptied. We swirled the last lingering drops and took a final swig.
The dragon was situated at the center of a small pool. The artist had inhabited its watery realm with a conch shell, a whale, and a frog. Their assembly in the same biosphere struck me as being unlikely, but it seemed a minor detail to dwell on when given I had already accepted the presence of a dragon. The whale and the shell went unnoticed, but the frog had garnered the creature’s attentions. The dragon was staring it down, mouth agape, where a stream of water would somewhat ironically be spewing from its unfurled tongue, had the fountain been turned on. The frog was doing a good job of holding its own, all things considered.
The kitchen is a no-fly zone, where space to craft a punch or charcuterie spread has to be carefully usurped at the margins of the vast empire. The best time to sneak in is when my father is updating his tabulation of butter used thus far. A true student of the tradition of Julia Child, he delights in giving us a painfully honest breakdown of precisely how the sausage was made, as waistlines strain against belts. The only time I had ever missed my family’s Thanksgiving before was to share a Turducken with a friend who was stranded and alone under house arrest. Now, thousands of miles from Cleveland in Ecuador, the reality of the glamorous traveler’s life came with a complimentary jar of maraschino cherries.
Despite my remedial Spanish and the shop owner’s impressive level of intoxication, eggs were eventually procured. A number of failed attempts with a calculator required his wife be disrupted from whatever work she was performing in the back. She was unamused by his sloppy incompetence. Some things are the same everywhere.
Early on, I learned about the concept of literary deconstruction and examining works of literature through various lenses to break them down and analyze them. It becomes increasingly difficult not to see the signposts all around when you apply a socialist or feminist bent to your observations. Our journey across the country in many ways acted as a highlight reel or slideshow for the United States as a whole. Our adventure was the best education I’ve had to date. Even as we traveled, social media and current events kept us plugged in, placing us everywhere and nowhere all at once. We directly witnessed so many different human interactions, and being removed from the geographic and cultural confines of the Rust Belt, the answers to questions weren’t as readily apparent. We were able to see the nation from so many different angles, applying the techniques of literary and cultural criticism through it all. It reaffirmed many of our beliefs, it also led us to question others. At the very least, our experience has given us newfound empathy for those we don’t always agree with, and renewed vigor in formulating our personal philosophies.