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Graffiti, Cuenca, Ecuador

PEDESTRIAN PERSPECTIVES

For them, we were the ones out of place, two gringos staring at a marred wall. Cuenca’s dichotomy of modern and classical, of conservative and rebellious, so unexpected to us, was an an all too mundane part of life for its citizens. Their love for the city had settled and grown comfortable, the recollection of its charms reserved for special occasions. But we were barely acquainted with this place, learning its quirks and becoming ever more intrigued by each discovery into its complicated nature.

The ruins at Museo Pumapongo

ECHOES OF OUR ANCESTORS

Exhibits outlined Ecuador’s rich and varied cultural makeup, displaying the traditions and garb of the various ethnicities that comprise the country. The detailed skirts and peaked hats of the native women were explained, giving us new-found respect for the artistry and tenacity of the native traditions. It was a stark contrast to our experiences in the American Southwest, where the narrative is generally one of decimation and dissolution and traditions forever lost to the ether. Tribal masks were reminiscent of the artist Basquiat, famous for injecting African themes into his evocative graffiti-inspired style, forging a strange link between three continents with those same threads of universality waiting to be found in the museums of the world.

END OF A ROAD; UNRAVELING THE MYTH

With so many highs it was difficult to choose favorites. On a different day we might name another place. How does one judge descending into the New River Gorge against wading in the Colorado’s frigid waters on a Glen Canyon beach? What makes learning about the one-armed, explorer, cartographer and general badass John Wesley Powell any less intriguing then witnessing Native American dance? Is the culture of the Puebloan people preserved at Bandelier National Monument any less important than the sculpture gardens at the Nasher Center? Is anything more beautiful than stumbling upon the expansive crater of Valles Caldera at sunset, or watching J look upon the Pacific Ocean for the first time, or having a cool lake to ourselves on a sweltering Texas day?

END OF A ROAD; UPPING THE ANTE

The first time I saw Pittsburgh I knew I would leave her. She could be cold, nebby, and casually racist, but really, it was me. With so much out there to see in this world, I’ve never entertained the idea of being tied down to any one city. I’ve never had a car note, a mortgage, or a desire to settle down. While I appreciate the homes others have fashioned for themselves, I’m not quite ready for a long-term commitment.

I have an ongoing joke of a New Year’s resolution: all new mistakes. It’s a way to remind myself to take chances, explore new territory, learn to dig deeper. It’s a call to say yes to opportunities and have a sense of humor when things go awry.

END OF A ROAD; PARTNERS IN FUNEMPLOYMENT

As a young girl, I remember sitting in a dark theater watching Indiana Jones and The Last Crusade. I wanted to be just like Indy. I was captivated by the sight of Petra, a city carved into the mountainside; enchanted by the canals and footbridges of Venice. I wanted to explore ancient catacombs, ride a motorcycle through the countryside. I also hate Nazis (but I’m not afraid of snakes).