Exhibits outlined Ecuador’s rich and varied cultural makeup, displaying the traditions and garb of the various ethnicities that comprise the country. The detailed skirts and peaked hats of the native women were explained, giving us new-found respect for the artistry and tenacity of the native traditions. It was a stark contrast to our experiences in the American Southwest, where the narrative is generally one of decimation and dissolution and traditions forever lost to the ether. Tribal masks were reminiscent of the artist Basquiat, famous for injecting African themes into his evocative graffiti-inspired style, forging a strange link between three continents with those same threads of universality waiting to be found in the museums of the world.
We doubled back to experience the museum from its entrance. A throne was exhibited near the doorway, the crest of its backrest punctuated by miniature skulls. A doll of a baby lay beneath a grate in a coffin-shaped opening in the floor. There was a guillotine, two bone chandeliers, a number of statues contorted with pained expressions. It was like if the witch who tried to eat Hansel and Gretel made folk art.
Most everyone, even those who haven’t been to a beach, understand that it’s a good thing. Even as a child living next to Lake Erie, I would leap at the chance to go to Huntington Beach, or even Rocky River Park, just to be on the sand and hear the waves. While I am certainly no expert, having only recently upped my ocean count by one, the Southern California coast was a truly luxurious experience. Being able to take advantage of an October heatwave and play in the Pacific Ocean is something that would make a younger J’s head explode. The impossible made possible by the mere passage of time.
If the utility of a road is compromised due to the whims of bovine, it should not, in fairness, be called a highway. Consider this my formal complaint with the state of New Mexico. The cow strutting out of the darkness before us was such an absurdity we erupted into astonished laughter. Then there was more movement. A group of shadows fell into focus. The laughing stopped.
After lunch, we drove down the mountain into downtown to see the guided tour at the Fordyce Bathhouse, the National Park’s headquarters. The tour, as with all our experiences with the National Park System, was humorous, illuminating and entertaining as hell. The history at play vis-a-vis the bathhouses and the foundation of Hot Springs itself dovetailed beautifully into the knowledge bombs from the day before at the Gangster Museum.