Exhibits outlined Ecuador’s rich and varied cultural makeup, displaying the traditions and garb of the various ethnicities that comprise the country. The detailed skirts and peaked hats of the native women were explained, giving us new-found respect for the artistry and tenacity of the native traditions. It was a stark contrast to our experiences in the American Southwest, where the narrative is generally one of decimation and dissolution and traditions forever lost to the ether. Tribal masks were reminiscent of the artist Basquiat, famous for injecting African themes into his evocative graffiti-inspired style, forging a strange link between three continents with those same threads of universality waiting to be found in the museums of the world.
We doubled back to experience the museum from its entrance. A throne was exhibited near the doorway, the crest of its backrest punctuated by miniature skulls. A doll of a baby lay beneath a grate in a coffin-shaped opening in the floor. There was a guillotine, two bone chandeliers, a number of statues contorted with pained expressions. It was like if the witch who tried to eat Hansel and Gretel made folk art.
With so many highs it was difficult to choose favorites. On a different day we might name another place. How does one judge descending into the New River Gorge against wading in the Colorado’s frigid waters on a Glen Canyon beach? What makes learning about the one-armed, explorer, cartographer and general badass John Wesley Powell any less intriguing then witnessing Native American dance? Is the culture of the Puebloan people preserved at Bandelier National Monument any less important than the sculpture gardens at the Nasher Center? Is anything more beautiful than stumbling upon the expansive crater of Valles Caldera at sunset, or watching J look upon the Pacific Ocean for the first time, or having a cool lake to ourselves on a sweltering Texas day?
If the utility of a road is compromised due to the whims of bovine, it should not, in fairness, be called a highway. Consider this my formal complaint with the state of New Mexico. The cow strutting out of the darkness before us was such an absurdity we erupted into astonished laughter. Then there was more movement. A group of shadows fell into focus. The laughing stopped.
Anything worth doing is worth doing right, and arguing done right is an exhausting endeavor. Both a bit spent, we made our way to Luke’s Inside Out to indulge in the restorative powers of beer and sandwiches. Luke’s is an unassuming food truck parked between a bar and a cafe. You can have your meal delivered to either bookending establishment. Its menu is small, specializing in sandwiches that are reworked versions of Italian and Asian classics.
My mood improved, we drove to the Gulch to sample some beers at Party Fowl, where we fell in love with a watermelon gose, then headed to Jackalope, a local brewery, we’d missed our last time in these parts. Their brews deserve every bit of the hype they receive, and they were served by a disinterested young woman who was answering the conversations directed towards her with lack of eye contact and monosyllabic retorts that reminded me of my own magnetic temperament during my (short-lived) stints behind the bar.
Louisville is a proper Southern town with a proper Southern drinking culture, and as two people who enjoy that kind of amusement, J and I were happy to spend the next day partaking. Bardstown Road is a sort of thoroughfare for establishments both divey and high-end, and feeling there was no better way to get a feel for the city in our limited time, we embraced the variety with gusto and our credit cards in tow.