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The holiday market in Plaza El Otorongo, Cuenca, Ecuador

AIN’T NO PARTY LIKE A JESÚS PARTY

Ecuadorians’ adoration of fairs and festivals is only surpassed by their devotion to Catholicism. Subscribing to the Catholic credo that there ain’t no party like a Jesús birthday party, these passions intersect in a three-month celebration around the Christmas holiday that exceeds the birthday week excesses of the most self-indulgent sorority girl. Cuenca is the heart of these festivities, upstaging the larger cities of Quito and Guayaquil to draw people from all across the Andes.

The holiday market in Plaza El Otorongo, Cuenca, Ecuador

AIN’T NO PARTY LIKE A JESÚS PARTY

Ecuadorians’ adoration of fairs and festivals is only surpassed by their devotion to Catholicism. Subscribing to the Catholic credo that there ain’t no party like a Jesús birthday party, these passions intersect in a three-month celebration around the Christmas holiday that exceeds the birthday week excesses of the most self-indulgent sorority girl. Cuenca is the heart of these festivities, upstaging the larger cities of Quito and Guayaquil to draw people from all across the Andes.

Graffiti, Cuenca, Ecuador

PEDESTRIAN PERSPECTIVES

For them, we were the ones out of place, two gringos staring at a marred wall. Cuenca’s dichotomy of modern and classical, of conservative and rebellious, so unexpected to us, was an an all too mundane part of life for its citizens. Their love for the city had settled and grown comfortable, the recollection of its charms reserved for special occasions. But we were barely acquainted with this place, learning its quirks and becoming ever more intrigued by each discovery into its complicated nature.

The ruins at Museo Pumapongo

ECHOES OF OUR ANCESTORS

Exhibits outlined Ecuador’s rich and varied cultural makeup, displaying the traditions and garb of the various ethnicities that comprise the country. The detailed skirts and peaked hats of the native women were explained, giving us new-found respect for the artistry and tenacity of the native traditions. It was a stark contrast to our experiences in the American Southwest, where the narrative is generally one of decimation and dissolution and traditions forever lost to the ether. Tribal masks were reminiscent of the artist Basquiat, famous for injecting African themes into his evocative graffiti-inspired style, forging a strange link between three continents with those same threads of universality waiting to be found in the museums of the world.

Rio Yanuncay, Cuenca, Ecuador

THE DRAGON, THE TRAITOR, AND THE QUEST FOR CUY

The dragon was situated at the center of a small pool. The artist had inhabited its watery realm with a conch shell, a whale, and a frog. Their assembly in the same biosphere struck me as being unlikely, but it seemed a minor detail to dwell on when given I had already accepted the presence of a dragon. The whale and the shell went unnoticed, but the frog had garnered the creature’s attentions. The dragon was staring it down, mouth agape, where a stream of water would somewhat ironically be spewing from its unfurled tongue, had the fountain been turned on. The frog was doing a good job of holding its own, all things considered.

ADVENTURES IN WRITING – THE ROAD OF TRIALS

Before being an #influencer or Youtube channel host became a viable career option, people had a general preconception that writers led somewhat glamourous lives. Or at least, I did. Blame it on an overconsumption of Hemingway and Bukowski, but I thought writing was basically a talent for observing the absurd diffused through a gratuitous amount of alcohol. It allowed for a measure of importance to be placed on one’s ideas while preserving enough anonymity to not hinder the indulgence of socially frowned upon behavior. It was the perfect creative pursuit.

HERETICS, PLAGUES, AND FORBIDDEN ART

We doubled back to experience the museum from its entrance. A throne was exhibited near the doorway, the crest of its backrest punctuated by miniature skulls. A doll of a baby lay beneath a grate in a coffin-shaped opening in the floor. There was a guillotine, two bone chandeliers, a number of statues contorted with pained expressions. It was like if the witch who tried to eat Hansel and Gretel made folk art.