A few rectangular Formica tables leading up to a small display case, manilla walls bare but for a slice-shaped clock which declared it to be “pizza time.” A group of twenty-somethings were seated at a table, focused on a television hanging above. A music video was playing, featuring a blond Hispanic child rapping about sunshine. It was absurdly optimistic and the twenty-somethings were engrossed in the trainwreck. Stupid is funny in any language.
Before being an #influencer or Youtube channel host became a viable career option, people had a general preconception that writers led somewhat glamourous lives. Or at least, I did. Blame it on an overconsumption of Hemingway and Bukowski, but I thought writing was basically a talent for observing the absurd diffused through a gratuitous amount of alcohol. It allowed for a measure of importance to be placed on one’s ideas while preserving enough anonymity to not hinder the indulgence of socially frowned upon behavior. It was the perfect creative pursuit.
As you near the western outskirts of Cuenca, the failing and occasionally absent sidewalks reaffirm the notion that this is indeed a city, but it’s decidedly different than anything back home. A quarter-mile from the mid-level apartment buildings of our block, the mountains suddenly loom larger and the dense houses give way to larger haciendas with massive gardens. Livestock lounges in the shade, woodsmoke permeates the air, and the proud crow of roosters echoes in the alleys. The sidewalks eventually disappear completely, and grass grows wild and thick in the mountain breeze.
Though it’s relatively small, there’s a wealth of information there. There’s plenty of trail for a leisurely stroll, and a range of history spanning a variety topics and timelines. Paired with gorgeous views of the bay, ocean, and city below, it’s a true urban oasis. We had the good fortune to hang out briefly with a ranger while she was showing a small group a snake, and there was no shortage of things to do and explore. We came away with a lot of new information.
We doubled back to experience the museum from its entrance. A throne was exhibited near the doorway, the crest of its backrest punctuated by miniature skulls. A doll of a baby lay beneath a grate in a coffin-shaped opening in the floor. There was a guillotine, two bone chandeliers, a number of statues contorted with pained expressions. It was like if the witch who tried to eat Hansel and Gretel made folk art.